This is a two minutes exposure with a simple ajustements work: Slight underexposure and saturation, removal of some ground dusts, and also a fence along the right wall.
Because it happened once doesn't make it a habit, here's a cross-adjustment.
When you shoot a 180s long exposure in Sydney harbor, you can't hardly avoid to get your picture striped by navigation lights of boats. It happens here and I had to remove one of them. It's not necessary but I think the picture is better anyway. Note there are still light traces under the balustrade, […]
Back from half a day in Manly. The boat is going straight to Sydney, full West and I take this picture. Note the strange effect on the water surface caused by this little speedy boy (see below) — arf! —. I took the picture exposed on the right which means I under-expose it on post-prod. I also […]
I took this photo using the same technic as , but five minutes before. I post-adjusted the picture to logically reveal highlights details — like in the sky — and enhanced the color complementarity, less visible on the original because of the voluntary over-exposure.
No obstacle under Patoune, just the top of a sightly curved track. With the speed, she offers us a staging like in WRC or some of the best cars jumps in San Francisco.
What a chance to be there for this sunset in Sydney! Considering the high quantity of dark elements on the frame, I choose to expose at right. As you can notice if you do the comparison (see on the picture above), the non-adjusted version is clearly over-exposed. In fact, — as I explain it on quite […]
Here's the Sydney Opera House. Ok, it's a very common angle shot, but you know what? it's not easy to find a terrific spot and organize everything when you only have one end of afternoon and no more light at 6pm! Meanwhile, I've tried to make my picture more interesting than common ones by choosing […]